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Maren Lübbke-Tidow
8/2024 Luise Marchand
In meinem Körper ist Leistung gut aufgehoben
EIKON. International Magazine for Photography and Media Art (Wien), Nr. 127/2024 (Essay, im Erscheinen)
Luise Marchand, aus: Liquid Company, seit 2022 fortlaufend. 
6/2024 Splitter des Realen
Text zur Ausstellung Özlem Altın, Prisma, Katalog der Berlinischen Galerie, DISTANZ: Berlin 2024 (im Erscheinen)
Özlem Altın, Naked Eye, 2024.
6/2024 Subjective Evidence
Talk mit Barbara Probst, Kuckei+Kuckei
Berlin, 20.6.2024
Barbara Probst, Exposure #185, Munich, Nederlingerstrasse 68, 04.21.23, 2:35 p.m., 2023 
1/2024 Lighting the Archive
Interview #14 mit Ute Mahler
und Werner Mahler
Foto: Rebecca Wilton
3/2023 Politics of Touch
Exhibition on the occasion of EMOP Berlin – European Month of Photography
Amtsalon, Berlin, 2.3.–31.3.2023
Curated by Maren Lübbke-Tidow and Rebecca Wilton

 

Installation View
Left: Harry Hachmeister, Hard Softies – in the gym of life, 2019–2023.
Right: Loretta Fahrenholz, Happy Birthday, 2022.
Copyright: Kulturprojekte Berlin
Foto: Nick Ash.
3/2023 Politics of Touch
Exhibition on the occasion of EMOP Berlin – European Month of Photography
Amtsalon, Berlin, 2.3.–31.3.2023
Curated by Maren Lübbke-Tidow and Rebecca Wilton 

 

Installation View
Giorgio Gago Gagoshidze, Filmstill aus The invisible hand of my father, 2018.
Copyright: Kulturprojekte Berlin
Foto: Nick Ash.
3/2023 Politics of Touch
Exhibition on the occasion of EMOP Berlin – European Month of Photography
Amtsalon, Berlin, 2.3.–31.3.2023
Curated by Maren Lübbke-Tidow and Rebecca Wilton

 

Installation View
Front: Fabian Hesse und Mitra Wakil, Stray Poses 1–3, 2022.
Back: Ketuta Alexi-Meskhishvili, Fabric, 2022.
Left: Thomas Demand, Glass I+II, 2002.
Copyright: Kulturprojekte Berlin
Foto: Nick Ash.