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8/2024 Luise Marchand In meinem Körper ist Leistung gut aufgehobenEIKON. International Magazine for Photography and Media Art (Wien), Nr. 127/2024 (Essay, im Erscheinen)Luise Marchand, aus: Liquid Company, seit 2022 fortlaufend. 6/2024 Splitter des RealenText zur Ausstellung Özlem Altın, Prisma, Katalog der Berlinischen Galerie, DISTANZ: Berlin 2024 (im Erscheinen)Özlem Altın, Naked Eye, 2024. 6/2024 Subjective EvidenceTalk mit Barbara Probst, Kuckei+KuckeiBerlin, 20.6.2024Barbara Probst, Exposure #185, Munich, Nederlingerstrasse 68, 04.21.23, 2:35 p.m., 2023 3/2023 Politics of TouchExhibition on the occasion of EMOP Berlin – European Month of Photography
Amtsalon, Berlin, 2.3.–31.3.2023
Curated by Maren Lübbke-Tidow and Rebecca Wilton
Installation ViewLeft: Harry Hachmeister, Hard Softies – in the gym of life, 2019–2023.Right: Loretta Fahrenholz, Happy Birthday, 2022.Copyright: Kulturprojekte BerlinFoto: Nick Ash. 3/2023 Politics of TouchExhibition on the occasion of EMOP Berlin – European Month of Photography
Amtsalon, Berlin, 2.3.–31.3.2023
Curated by Maren Lübbke-Tidow and Rebecca Wilton
Installation ViewGiorgio Gago Gagoshidze, Filmstill aus The invisible hand of my father, 2018.Copyright: Kulturprojekte BerlinFoto: Nick Ash. 3/2023 Politics of TouchExhibition on the occasion of EMOP Berlin – European Month of Photography
Amtsalon, Berlin, 2.3.–31.3.2023
Curated by Maren Lübbke-Tidow and Rebecca Wilton
Installation ViewFront: Fabian Hesse und Mitra Wakil, Stray Poses 1–3, 2022.Back: Ketuta Alexi-Meskhishvili, Fabric, 2022.Left: Thomas Demand, Glass I+II, 2002.Copyright: Kulturprojekte BerlinFoto: Nick Ash. 
